I think trying to resolve all of these reasons may be why it’s taken me so long to write about this last book. What amazes me the most about the re-read is just how my opinions have changed. I may keep harping on how concise JK Rowling is; but that’s only because I’m completely surprised that my opinions of her writing prowess are so different then on the first read. Seriously! This is exciting stuff for me, and probably only me.
On that note, I’m ready to have some serious discussions about HP 7. Yes, really! Let’s do this thing. Many of you have showed some interest in a feminine read of HP; more precisely the lack of a good, strong female character. I realized something about myself while trying to souse out the great feminist character in Harry Potter: I’m really not a feminist. I’m all about women power and dig me some Buffy and Veronica Mars; I want to write fiction for young adults because of literary characters like Nancy Drew and Anne Shirley; but as a literary critique, I’m crap at the feminine mystique. I’m really more of a deconstructionist. So, try as I might, I don’t see anything wrong with Hermione, Ginny, or Tonks. Considering just how many characters exist and have reoccurring roles in the Potter-verse, I think most are well developed. I have actual feelings about Mrs. Malfoy at the beginning of this book – and who is she really? I mean all of these characters have a first and last name, which you remember. I can’t imagine the notes Rowling must have kept to keep the continuity going through 7 books.
I’m getting ahead of myself. For this blog post I mostly wanted to talk about mothers and how there is one in each opening scene. I’m not sure if this helps or hinders a feminist critique; I guess you could say Rowling only knows how to write one type of female and thinks that motherhood is the most important thing in each one’s life. Who knows, maybe it is? I’m not a mother, so I’d have to defer to those who are. From a deconstructionist standpoint, all of these mothers are intriguing and thought pondering: What does ‘mother’ even mean? Is Rowling trying to make every mother the same?
To start with, it’s amazing plot braiding to juxtapose Narcissa Malfoy, Petunia Dursley, Andromeda Tonks and Molly Weasley. Obviously some of it is foreshadowing, Narcissa Malfoy and Molly Weasley are both pivotal to the plot towards the end – and also again because they are mothers. I don’t just think it is foreshadowing or plot braiding though. It’s more because Rowling doesn’t need these mothers to create the scenes, but they are all pivotal to each, separate scene. Maybe pivotal isn’t the right word, they each advance the plot by defining the character of motherhood.
Narcissa Malfoy
Narcissa is clearly the one Malfoy with her senses intact in the first chapter. She stands out by looking downcast yet clearly being in charge of her household; she keeps her son and husband in line and alive with firm glances and nudges.
MOTHER LOVE MOMENT: The last we read of Narcissa in chapter one is, “Draco Malfoy looked in terror at his father, who was starring down into is own lap, then caught his mother’s eye. She shook her head almost imperceptibly, then resumed her own deadpan stare at the opposite wall.” She is showing her family exactly how to act and what to do; clearly she is already prepared to make her family survive by any means necessary.
Petunia Dursley
Petunia Dursley remains her steadfast self when it comes to her son Dudley; she’s in three or four pages of this massive novel, yet she still manages to call her son Diddy, Dudders and Popkin in that space. Her life is her family; and like Narcissa, she is quite single-minded in her protection of them.
MOTHER LOVE MOMENT: Rowling peppers Petunia’s exit from the series with these final words, “She gave him an odd, tremulous look and seemed to teeter on the edge of speech, but then, with a little jerk of her head, she bustled out of the room after her husband and son.”
Andromeda Tonks
Harry could have gone straight to the Burrow when he leaves Privet Drive, but Rowling sends him to the Tonks’ first. Although she is talked about quite a bit, Andromeda Tonks hasn’t appeared before this book; we already know she is sister to Narcissa and Bellatrix. Here’s yet another mother, and also a sister (like Petunia and Lily); one who is going to extreme lengths for the sake of her daughter.
MOTHER LOVE MOMENT: Although she’s talked about and referred to quite a bit in this book, she appears only once, briefly to ask, “What happened to our daughter? Hagrid said you were ambushed; where is Nymphadora?” We know she’s a pure-blood, a healer, a strong female who resembles her sister Bellatrix in many ways, but she only speaks one line – and it’s about concern for her daughter, the Auror who married a werewolf.
Molly Weasley
Molly is Harry’s surrogate mother – also mother of his best friend and his girlfriend. She is as worried about Harry as she is for the rest of her family; there really is no distinction anymore. Not once do you see her regret the friendship that’s sprung up between her family and Harry. The Weasleys (minus that prat Percy) are all loyal toward Harry and the Order. Molly is different from the other mothers we’ve seen so far – they are all worried about one child, she is worried about ten (counting Harry, Hermione, and Fleur too). We’ve seen Molly a lot in the series, she is the most complete, well-rounded mother character; she gets a full range of emotions including scatter-brained and sometimes ridiculous. I like this about Molly; it makes her into many mothers I’ve known, not just the outline of a mother-type character. And let’s be honest, at the end she gets the best line of the entire series!
MOTHER LOVE MOMENT: In the opening scene at the Burrow, Harry, already feeling horrible about putting others in danger, can’t quite figure out why she doesn’t hate him yet. “He could hear the self-justifying note in his voice, the plea for her to understand why he did not know what had happened to her sons, but –
‘Thank goodness you’re all right,’ she said, pulling him into a hug he did not feel he deserved.”
Kendra Dumbledore
Brilliant! No, seriously! Dumbledore is dead and now he gets a mother and more face-time than when he was alive. Why put Kendra in here now? I have no idea what kind of mother Kendra Dumbledore is. Through conjecture and hearsay she appears to be quite a bad one, but how do you explain the goodness of Albus and even Aberforth Dumbledore? At least some of it has to be nurture.
Lily Potter
The mother all other mothers must me compared to throughout the series. She’s here at the beginning…and in the middle…and at the end. I think Lily’s note to Sirius separates her from the Lily & James Potter duo in the scene at Grimmauld Place; stressing her ultimate sacrifice more than James’.
Appoline Delocour & Tonks
We also meet the mother of the bride, Appoline Delocour, who must be at least half Veela – a mythical creature and not just a wizard. And finally, we find out Tonks is pregnant with a baby who will also be more than a wizard – his dad being a werewolf and all. It’s sort of like tying up all the loose ends. We see mothers at very important, life moments and we get yet another dose of magical-creature-unity-and-equality vs. magic-is-might-dark-wizard mentality: A true good vs. evil moment.
I definitely think Rowling pulled the women into the foreground during the first quarter of the book. No, not necessarily in a feminist way, but in a sort of roto-scope, look-at-this sort of way to emphasize what’s coming, what’s been, what’s most important, and inevitably what’s dark magic conquering: LOVE. Yes, it’s so simple and obvious, but I really do admire the way in which it occurs.
I so want opinions in the comments on all of this. Also, feel free to add in your feminist reading – or any other literary theory you’d like to. Of course, coincidentally it is Mothers Day on Sunday. The picture attached to this blog is all my own. (Yay, no copyright infringement this week!) It’s a picture of me and my mom – she’s a much better person than I am, so I know all of my good parts are from her nurturing. Happy Moms Day to all of you mothers. And in case you don’t think I’m excited enough about the arrival next week: Mara Corey you are going to be an awe-inspiring, remarkable mother! Matt, you of course will be an amazing dad too!
